The Film
A Long Way to See This
Visit the film →A seagull follows a war-widow and her young son from a grieving London to a newly free Poland, arriving in time to watch a village of children sign their names in gratitude — names that, for some, would become the only proof they ever lived.
Drawn from the 1926 Polish Declarations of Admiration and Friendship, held at the Library of Congress.
Themes
Six rooms I keep returning to — migration and identity, memory and archives, the breaking and the belonging. Each holds its own work, in whatever form it asked to be written.
Przełom / PRL
Communist-era Poland, and the breaking open of it.
A key teaches independence early. It does not teach belonging.
- Latchkey Generationlyric memoir
- Bottomless Chestpersonal essay
- Manifest Wielkanocnyprose poem · Polish
- Acculturation and Its Perplexitiesnonfiction · translation
Polish Royalty
Wawel, Jadwiga, the crowned and the medieval.
She was ten years old. She had been crowned King of Poland three days before. Not queen — King.
- The Day of Inheritancehistorical fiction
Devotional
Faith, prayer, and the two languages of Abba.
Polish is the language of pleading. Sometimes the words feel like a knock on a door that does not open.
- Abba in Two Languageslyric essay
- Daily Moments with Goddevotional series
Archives
Memory, preservation, and the names that survive.
History is not a speedy highway, but a slow hike up a country road.
- A Long Way to See Thisanimated film
- All Saints Historyhistory · nonfiction
- The 1926 Declarationsarchive
Thanatology
Mortality, grief, and the thinness of time.
I left a pathway of footprints on snow — the perfect calculus of continuous passing.
- A Monster Callsessay
- Masterclass on the Last Farewellessay
- Reflectionspoetic prose
- Just Dancing Aroundpoem
Expressive Arts
Dance-theatre, nostalgia, and the architecture of home.
Nostalgia: from the Greek nostos, homecoming, and algos, pain.
- The Body in Performance · Traces of HomeMA thesis · dance-film
- The Confident Performeressay
- Performing the Imagefilm · practice
- Birthright to Creationfour-volume work